A puzzler for the iOS from developer Iceflame, Aiko Island was an entry into the post-Angry Birds genre of physics puzzles. It brought a few innovations to the table, like a colorblind mode and the deep integration of cookies at every level of gameplay, and was well-reviewed by those able to locate it amid the explosion of similar iOS games in the early 2010s. Perhaps the game’s most distinctive feature, though, was a lush score by composer Sean Beeson, a veteran of similar indie and iOS projects.
For a game about fuzzballs in bright primary colors chasing down cookies, Beeson’s Aiko Island score is unusually sweeping and powerful, with a full (synthesized) orchestral sound complemented with a (synthesized) choir. It’s music that seems most suited to an epic fantasy adventure, and it is highly rewarding once listeners get past the seeming tonal mismatch between the score and the game. More than anything, the music is reminiscent of Jeremy Soule’s approach to game scoring in the 1990s during the beginning of his career: a combination of excellent synths, sweepingly ambitious melodies, all applied in a lush and slightly ambient manner that wouldn’t be out of place in a fantasy film or TV miniseries.
The album can be broadly divided into epic and more quirky tunes, though it never approaches the level of Carl Stalling parody cartoonishness that the game’s art style (and its genetic relationship to Angry Birds) might suggest. The opening “Aiko Island” sets the more epic style in motion with racing strings offset against bold brass and a distant choir, a style that’s replicated with bolder woodwinds and choral work in “Enchanted Seasons” and with a strident string presence in “Chip off the Blocks,” all of which use the game’s primary thematic construct. Other pieces, notably “Ye Olde West,” take the sound to a more triumphant and heroic mode. The same building blocks are turned to whimsy in “Blue Timbers,” which tackles the same theme with a gentle combination of voices, pizzicato strings, and malleted percussion for a flight of Elfmanesque fantasy. “Aiko Beach” brings a woodwind sound with a faint calypso vibe while the longest piece on the album, “Ice Dream Spires,” takes a more deliberate tempo with icy percussion effects to bring about a dreamy and contemplative sound. There are a variety of other styles as well, like the waltz in “Dance of the Cookie.” Throughout it all, the album maintains an ethereal and quasi-ambient tone that’s very affecting and displays many of the strengths of Soule’s musical style (though without succumbing to the bloat that occasionally mars that composer’s later works.
The Aiko Island sountrack is available on the composer’s Bandcamp page, and with over 30 minutes of music at an asking price beginning at only $3, it’s a steal. Provided listeners can distance themselves mentally from the tiny cookie monsters in the game, the album will provide an excellent companion to masterpieces like Icewind Dale or Guild Wars.